If the extreme lexical's consumption can be said to be clearly noted (each thing perceived is distinctly observable and codifiable; it is static) then the extreme impressionist's composition can be said to reflect ink on paper. It is melting, blurring away, transforming into a single impression (a spark). One cannot transcribe the impression of an atmosphere for it is oozing with subjectivity. For the lateral impressionist's consumption; a single sound swirls around until, eventually, it becomes a snake. A transcendental point for the emanation of a whole slew of impressions. This snake may be entirely transcended for a more purely subjective form, however, this implies a detachment from its sweet venom. It is a fire that emerges from a set of the same twigs; repetitive in form but always different as per its subjective blaze.
Comments
Post a Comment